The curse of the difficult-second-album hangs over Frank Ocean’s Blonde like an unforgiving spectre. As if following up his critically acclaimed debut, Channel Orange, wasn’t hard enough already: there was the endless rumours, the delays and the never-ending storm of desire and derision on social media. No wonder Ocean prefers to keep himself to himself these days.
For better and worse, Ocean’s second album is the product of personal struggle under the weight of intense expectation. It doesn’t reach the dizzying perfection of his 2012 debut, but it is a profound listen nonetheless. Continue reading