Norah Jones – Day Breaks review

Four years on from her emotional nadir, Norah Jones has returned with a collection of traditional jazz standards in the form of Day Breaks: an album that won’t surprise you, but will comfort you all the same. Continue reading

Various Artists – 30th Century Records Volume 1 review

30th Century Vol_1 - custom, banner, background grey (1440x810)Long-time fans of musician and producer, Danger Mouse, will know that his musical palette is as wide as his hair is big. 30th Century Records is a brand-new imprint label set up by the Mouse to look for “things that I like or that I connect with in some way that maybe other people are not”. This inaugural release features 11 unknown, or barely known, artists, and is a stimulating appetiser to what 30th Century may bring us in the months and years to come. Continue reading

Choice Cuts: Danger Doom – The Mouse and the Mask

Lex Records, 2005Danger Doom - The Mouse and the Mask (800x450)Danger Doom’s album is high-wire fun that’d be an offence to anyone who takes themselves too seriously. So you can bet it’d go down well with smiley Liam Gallagher and today’s hardline extremists, right?

A collaboration between enigmatic super-producer, Danger Mouse, and equally reclusive masked rapper, MF Doom, The Mouse and the Mask is a marvel of audacious jams and masterful short stories, spliced with animated skits and more humour than a Hanna-Barbera classic. Continue reading

Choice Cuts: Gorillaz – Demon Days

Parlophone Records, 2005Gorillaz - Demon Days artwork, wallpaper edit (1024x576)A gimmick. That’s what they put Gorillaz’ success down to. Despite everything that had been achieved by this unusual musical concoction in the 18 months since the launch of their 2001 debut album, detractors still labelled them a here today, gone tomorrow band. But little did they know that the virtual band, created by musician, Damon Albarn, and cartoonist, Jamie Hewlett, would front what would later be acknowledged as one of the most influential and progressive records of the noughties: Demon Days. Continue reading

Cover songs and why they spice up life

Busker Charlotte, London riverbank, Feb 22, 2014, by Nate Edwards (3840x2160)Sometimes a good cover version will bring out a side to a song – and the musician performing it – that you never knew was there. This week I’ve been reminded of that in three ways.

The first was Ella Eyre’s version of ‘Going On’ by Gnarls Barkley. This song falls into the category of ‘nearest-and-dearest-so-don’t-you-dare-mess-it-up’. Famed for featuring on Rudimental’s ‘Waiting All Night’, Eyre is a stupendous singer, but I think there’s always going to be some trepidation when it comes to covers of songs that mean a lot to you. Continue reading

Best albums of 2014: top 10

(Clockwise from top left) Damon Albarn, Kelis, St Vincent, Little DragonHere it is. The final countdown. We’ve had club bangers, blazing rap debuts, plenty of pop and atmospheric opuses. But the best is yet to come from albums that challenge the social order, boggle your mind and take you to new plains.

10. Jungle – Jungle
9. MØ – No Mythologies to Follow
8. Essa – The Misadventures of a Middle Man
7. Little Dragon – Nabuma Rubberband
6. Broken Bells – After the Disco
5. Sharon Jones & the Dap-Kings – Give the People What They Want
4. Neneh Cherry – Blank Project
3. Damon Albarn – Everyday Robots
2. Kelis – Food
1. St Vincent – St Vincent Continue reading

Broken Bells photo recap

O2 Shepherd’s Bush Empire, London

[Photo to be added]

Broken Bells, the duo composed of Brian Burton (Danger Mouse) and James Mercer, performed at O2 Shepherd’s Bush Empire, London, on March 24.

The 405’s Eleonora Collini has captured some stunning photos of the show, which you can see here. Continue reading