Isaiah Rashid had his sights set on becoming a preacher before his stepbrother’s copy of OutKast’s ATLiens led him into the wild and wicked world of hip hop. A member of the Black Hippy collective, and stable mates with fellow Top Dawg signees, Schoolboy Q and Kendrick Lamar, Rashid’s sublime EP, Cilvia Demo, set the wheels in motion for this a much-anticipated full-length debut.
Considering the personal and professional struggles the rapper has since admitted he was facing during its creation, it’s a wonder that he finished The Sun’s Tirade at all – let alone to such a compelling level of quality. Continue reading →
Kendrick Lamar was the man of the moment in 2015. To Pimp a Butterfly was a masterclass of conscious rap addressing the extreme racial discrimination that continues to play out in the US, and beyond. Untitled Unmastered isn’t a follow-up: it’s a collection of polished demos and experiments that are powerful and additive in their own right. Continue reading →
Superstar divas Rihanna and Beyoncé were playing a very public game of who could be the most provocativetemptress, and still get their songs played on the radio, for the a good few years. That’s the way it seemed at least, what with all the flesh on display in their music videos and other controversial moments, all of which prompted tea-sipping elitists and defends-of-taste to decrying them both.
By now, most us are familiar with the Barbadian queen and her rumpy-pumpy reggae and steamy pop. She’s gone from an innocent island girl (‘SOS’) to a whip-loving dominatrix (‘S&M’). Anti is her eighth album, and sees the pop star crossover to the trap and alternative R&B sounds of the moment. Continue reading →
Charlotte Day Wilson is an analogue girl living in a digital world. You may have come across her name if you’re familiar with ‘In Your Eyes’ by BadBadNotGood. This unsigned, 23-year-old Toronto singer projects a classical kind of wisdom with her voice, and yet has a deft talent for producing contemporary soul and R&B. Such an alignment is rare nowadays, and her debut EP, CDW, solidifies her as one of 2016’s most arresting new talents. Continue reading →
Dial that number back, and rewind the track. Over the summer, Drake set corners of the web ablaze with a vicarious, trap equivalent of white phosphorus, called ‘Hotline Bling’. Now, the high queen of neo-soul, Erykah Badu, has put her own spin on the track, and it’s even more intoxicating than Drake’s. Continue reading →