Låpsley is a 20-year-old vocalist and producer from York with an ear for making classy, electronic pop. Her debut album is delicate, striking and emotive. Continue reading
It’s incredible how little I have written about Frank Ocean considering how many times I have played his music over the last four years, and how deeply it has touched me. Following the release of his second album, Blonde, in August, it’s high time I remedied this fact with a piece in praise of this singular artist. Continue reading
Daughter’s 2013 album, If You Leave, was a graceful arrival by frontwoman Elena Tonra, guitarist Igor Haefeli and drummer Remi Aguilella. And who can forget the group’s killer cover of Daft Punk’s ‘Get Lucky’. Three years on, Not to Disappear is a record of boy problems and a stride for independence. Continue reading
Millie Jackson will make you blush. We’re used to the idea of Marvin Gaye, Ike Turner or Bobby Womack hollering passionately about how much they’re yearning to get on down with their respective ladies. But when it comes to soul sisters, mainstream radio, and society in general, seems far less tolerant of the women of this era expressing their experience of love and desire in an equally candid manner, lest it shatter their demure professional persona. Coming from a young black woman, Jackson’s raunchy soul music – along with kindred spirit, Betty Davis – almost certainly broke sex and relationship taboos in music during the 70s, and remains an empowering step for female artists*. Continue reading
Polydor Records, 1999This month sees the return of a pop band that signifies my generation is now firmly in the category of ‘nostalgia marketing’ in the eyes of the music industry: S Club 7. The announcement last November that Tina Barrett, Paul Cattermole, Rachel Stevens, Jo O’Meara, Hannah Spearritt, Bradley McIntosh and Jon Lee would be returning – with a reunion performance on BBC Children in Need and a 2015 UK tour – sent ripples of ecstasy through my Facebook feed (occupied, as it is, nowadays by engagements, work outings and the occasional overboard night out). Continue reading
Space is a cold, lonely place. Which is why, whenever filmmakers blast actors into the fictional heavens in search of strange new worlds, they’re always after focal points that will make events more human.
That’s certainly director Christopher Nolan’s aim with Interstellar, a film of humongous scope that boldly goes forth to tell another tale of mankind’s struggle for survival, but is ultimately about a father-daughter relationship. Continue reading
Director Andrew Dosunmu and cinematographer Bradford Young are committed to telling this story of an African couple’s struggle to bear a child in scintillating detail, as if it were some fleeting waking dream caught on camera and slowed down to slideshow pace. Continue reading