For those who have been living without internet access for last three years, here’s a brief update on the state of the planet to put British rapper and spoken word artist Kate Tempest’s second album in context: the Earth is in a dire state. Rising divisions between rich and poor, and intolerance and miscommunication are everywhere. Meanwhile, the rise of big business continues, while the culture of the self quietly keeps the “modern revolution” – helpfully prophesised by voting-sceptic Russell Brand, among others – pacified.
Kate Tempest came to the attention of many in 2013 with her Mercury Prize-nominated debut album, Everybody Down, an effecting concept album that focused on a young couple, their troubled relationship and hard-bitten city living. With her second album, Let Them Eat Chaos, Tempest has built on her experiences to produce a powerful reflection of life in Britain today, from the high-stakes city workers to the down-and-outs living on the breadline. Continue reading →
Jazz Cafe, LondonWhen a concert ends with the performer hopping down from the stage to dance with their fans, you know it’s been a big night. And this week has been particularly big for rising wordsmith, Kojey Radical. The poet and rapper received two MOBO Awards nominations, and his celebratory spirit was overflowing at his sold-out Jazz Café show. Continue reading →
Corynne Elliot is Speech Debelle, a singer and spoken word artist from London. At the time of writing, I have only heard a handful of songs from this innovative wordsmith and winner of the 2009 Mercury Prize.
Since winning the auspicious British music award, Speech Debelle has repeatedly been discussed in a negative manner as an example of a recent artist who has not gone on to huge commercial success. In other words, favourable commentary about her is difficult to find – in the main, at least – unless you seek it out. That’s hardly fair. Especially because Speech Debelle is an artist of serious poise and verve, as this week’s chosen jam demonstrates. Continue reading →
For the last eight years, poet, performer and teacher Jacob Sam-La Rose, has chosen a class of young people, aged 14 to 25, to take part in the Barbican’s poetry workshop series.
On Wednesday, March 23, the class of 2016 – who studied with Sam-La Rose and assistant tutor Rachel Long – showcased their work in front a live audience of family, friends and members of the UK spoken word community.
From meditations on loss, to unexpected tales of migration told through a brief history of vinegar, to thoughts on forgetting great ideas, and passages inspired by film imagery. What follows is a sample of the young poets who laid their hearts bare, lifted hopes and urged those present to think deeper about the world today. Continue reading →
D’Gaf, LondonTo see spoken word poet, Shareefa Energy, and her performing friends is to witness a bountiful celebration of generosity and positivity. A celebration that smacks in the face of the continued tokenisation of women with agency in our society.
Shareefa launched her debut EP, called Reasoning with Self, at D’Gaf in Leyton, Tuesday evening, July 21, and to mark the occasion she organised her own spoken word poetry night with a guest line-up of all-female acts. What follows is simply a taste of what these eloquent sisters had to show. Continue reading →
Energised. That’s the way I am still feeling now, having returned from a spoken word poetry night at SOAS University, London. Hosted by poet, writer and teacher, JJ Bola, the evening (on April 30) was the final event in series that has grown far beyond what its organisers at the Decolonising Our Minds Society expected.
They’ve held events about “deconstructing social norms that are remnants of colonial thought” for last couple months, including a discussion with British-Jamaican filmmaker, Cecile Emeke, which had to be moved to a bigger venue because of sheer demand. The cosy chillout zone-cum-lecture space in SOAS’s main building was similarly packed for yesterday night’s parade of vibrant performances.
If I could show the sights, bring you the sounds and allow you to feel the exchange of energies at play that night, at Hype your writers like your rappers, with more than these simple words, I would. Videos were taken, but they’re never around when you need them and nor do they convey the full flavour in their 16:9 window frame. But, even without a poet roster or schedule sheet for this open mic night, I will try, right now, to give you a sense of what occurred. Continue reading →
For discerning lovers of culture and music, newly launched night, Undisclosed, offers an alternative to usual regimented, tense clubbing experience.
Part clubnight, part talent showcase, this was a premier, of sorts, for the new monthly event, which is organised by north London DJ collective, We GNC, and happened at the South Place Hotel, London, on April 4. Continue reading →
You have to be made of tough stuff to take the stage at any of the open mic nights around the UK. Even at the smallest venue, you’re guaranteed to be breaking the ice with frequenters of the city’s poetry circuit and first timers (im)patiently waiting to be wowed. I was one of those first timers at Come Rhyme with Me in Islington. Continue reading →