Romantic tension has always played a part in the xx’s music. A little over four years since their last album, the group’s latest work, I See You, addresses this subject more directly than ever, with a soul-bearing collection of songs about reconciliation and the start of something new. Continue reading
Låpsley is a 20-year-old vocalist and producer from York with an ear for making classy, electronic pop. Her debut album is delicate, striking and emotive. Continue reading
It’s incredible how little I have written about Frank Ocean considering how many times I have played his music over the last four years, and how deeply it has touched me. Following the release of his second album, Blonde, in August, it’s high time I remedied this fact with a piece in praise of this singular artist. Continue reading
The curse of the difficult-second-album hangs over Frank Ocean’s Blonde like an unforgiving spectre. As if following up his critically acclaimed debut, Channel Orange, wasn’t hard enough already: there was the endless rumours, the delays and the never-ending storm of desire and derision on social media. No wonder Ocean prefers to keep himself to himself these days.
For better and worse, Ocean’s second album is the product of personal struggle under the weight of intense expectation. It doesn’t reach the dizzying perfection of his 2012 debut, but it is a profound listen nonetheless. Continue reading
Corinne Bailey Rae is content. Content that the creation of her third album has been a fresh direction for her, even if it may not feel like that to all listeners initially. Six years on from the phenomenal, Mercury-nominated album, The Sea, the Leeds musician, who tragically lost her first husband, saxophonist Jason Rae, in 2008, is in love again and wants to share her newfound happiness with the world. The Heart Speaks in Whispers doesn’t quite have the total flourish of its predecessor, but it is an album of serenity and patient beauty. Continue reading
Argo Records, 1960Listening to Etta James can bring you as close as it’s possible to get to heaven without leaving your physical body behind you. Take the title track of her phenomenal debut album, At Last!: when James’s pure voice rises in perfect concert with the nuzzling strings, it’s as if flowers have spontaneously sprung into bloom, the clouds have parted and, for three glorious minutes, all is well with the world. Continue reading
Millie Jackson will make you blush. We’re used to the idea of Marvin Gaye, Ike Turner or Bobby Womack hollering passionately about how much they’re yearning to get on down with their respective ladies. But when it comes to soul sisters, mainstream radio, and society in general, seems far less tolerant of the women of this era expressing their experience of love and desire in an equally candid manner, lest it shatter their demure professional persona. Coming from a young black woman, Jackson’s raunchy soul music – along with kindred spirit, Betty Davis – almost certainly broke sex and relationship taboos in music during the 70s, and remains an empowering step for female artists*. Continue reading
Her album may have only just arrived, but I’ve been enraptured by Lianne La Havas for eight months already.
It was listening to the 22-year-old singer-songwriter from south London explain how she met Willy Mason on the Victoria line (via the Huey Show), which led to them collaborating on her debut single ‘No Room For Doubt’, that got me to pay attention. “We all make mistakes, we do / I learn from you”, she sang, cleansing my mind inexplicably of the worries that lay within. Continue reading