Since starting her own label, On Repeat Records, Little Boots has consistently impressed discerning dance and electro-pop followers with music that’s forward-thinking and retro-chic at the same time. Continue reading
Here we are: after 40 albums, we’ve reached 2015’s top 10. Before we get to the albums themselves, allow me to briefly reflect on the year that was and what it meant for music.
In more ways than one, 2015 has been a year of conservatism: UK voters elected the Conservative party for its second consecutive term; acts of terror have caused many to adopt conservative, even prejudicial, attitudes towards those that do not share their skin colour, beliefs or culture; and, in the world of music, known quantities continue to attract the most marketing dollars, media attention and consumer sales. On the surface, it would seem that the nonconformists, the mavericks, the idealists and those that would dare to dream have all been ignored.
Accept they haven’t. From the millions of artists and creators honing their talents and sharing them with the world via the numerous online avenues, to musicians and technologists combining their expertise to change the business of music royalties, and perhaps make it easier for people to make a living off of their creativity in future, 2015 has been a year of perseverance.
Hopefully these final 10 albums will express what I mean by that, each in their own way.
10. Ibeyi – Ibeyi
9. Benjamin Clementine – At Least for Now
8. Little Boots – Working Girl
7. Blur – The Magic Whip
6. BadBadNotGood & Ghostface Killah – Sour Soul
5. The Skints – FM
4. Ghostpoet – Shedding Skin
3. Denai Moore – Elsewhere
2. Kendrick Lamar – To Pimp a Butterfly
1. Andreya Triana – Giants
Victoria Hesketh, aka Little Boots, has steadily been refining her synth-pop sound since splitting from her major label, 679. And on her third album, Working Girl, she’s crafted a near-perfect collect of pristine pop. Continue reading
Fresh from rebuttoning her suit jacket for last autumn’s Business Pleasure EP, Victoria ‘Little Boots’ Hesketh is returning with her third full-length record. Since parting ways with major label 679 in 2012, Little Boots has grown graceful into her skin. Her second album, Nocturnes, was the underrated synth-pop treasure of 2013. Continue reading
This year’s spate of Record Store Day releases were announced yesterday to the delight of ever-eager vinyl-buyers. Some 592 exclusives will be available in independent record stores on Saturday, April 18, 2015.
Vinyl is the most beautiful physical music format there has ever been, in my opinion. But it can very quickly become an expensive vice for the music aficionado who craves every limited release from the dozens of bands in his/her ever-expanding library. That was me for a time. But as well as space issues forcing me to reflect more seriously on all the possessions in my keeping, after realising that certain so-called ‘limited editions’ I’d forked out for at full-price on previous RSDs were still available for half that months later, I’ve wised up. (Lord knows I love Disclosure, but first their label, PMR Records, offers us a mispress, then a single-sided 12” that is in no way ‘limited’.) Continue reading