Surprise digital album releases have simply become the “new standard” for a section of big-name artists. Still, Solange’s reveal of her first full-length album since 2008, A Seat at the Table, was enough to send the R&B faithful into a spin last week.
It’s got moxie, that’s for sure. Because even after 20 years of handing out awards for music of black origin, and taking flak left, right and centre for it, the MOBO Awards are still with us. The MOBOs shouldn’t, and never will, be all things to all people. But, even as it unites its award-winners in celebration, it continues to divide its audience.
D’Gaf, LondonTo see spoken word poet, Shareefa Energy, and her performing friends is to witness a bountiful celebration of generosity and positivity. A celebration that smacks in the face of the continued tokenisation of women with agency in our society.
Shareefa launched her debut EP, called Reasoning with Self, at D’Gaf in Leyton, Tuesday evening, July 21, and to mark the occasion she organised her own spoken word poetry night with a guest line-up of all-female acts. What follows is simply a taste of what these eloquent sisters had to show.
There’s a fire brewing along the edge of the Arctic Circle. And if gets any hotter it may just begin to melt the icecaps. This week sees the return of the raw talent that is Nicole Willis. Brooklyn-born and now Helsinki-based, her first two albums with the Soul Investigators (Keep Reachin’ Up (2005) and Tortured Soul (2013)) are marvels of original, sensational soul music – they’re more than 60s “throwbacks”.
Energised. That’s the way I am still feeling now, having returned from a spoken word poetry night at SOAS University, London. Hosted by poet, writer and teacher, JJ Bola, the evening (on April 30) was the final event in series that has grown far beyond what its organisers at the Decolonising Our Minds Society expected.
They’ve held events about “deconstructing social norms that are remnants of colonial thought” for last couple months, including a discussion with British-Jamaican filmmaker, Cecile Emeke, which had to be moved to a bigger venue because of sheer demand. The cosy chillout zone-cum-lecture space in SOAS’s main building was similarly packed for yesterday night’s parade of vibrant performances.
If I could show the sights, bring you the sounds and allow you to feel the exchange of energies at play that night, at Hype your writers like your rappers, with more than these simple words, I would. Videos were taken, but they’re never around when you need them and nor do they convey the full flavour in their 16:9 window frame. But, even without a poet roster or schedule sheet for this open mic night, I will try, right now, to give you a sense of what occurred.
You might not know his name, but you’ll certainly have heard his music. In the wake of his contribution to Daft Punk’s ‘Get Lucky’, his profile has aptly been raised, but this musician, songwriter and producer has been unleashing trendsetting-hits for decades. A fact too few people appreciate to this day.
He is, of course, Nile Rodgers. One half of rhythm kings Chic, along with his late partner Bernard Edwards, Rodgers has masterminded hit, after hit, after hit, and then some.
The art of making music and how it affects the lives of people who choose to make it is the question explored in a feature-length documentary, What Difference Does It Make? A Film About Making Music, by director Ralf Schmerberg. It’s a thoroughly captivity look at the creative process and how we define our own worth.
There are just over 9,700 Grenadian-born people living in the United Kingdom, according to the 2001 UK Census. How many of them were aware that the island of their birth celebrated its 40th anniversary of independence on Friday, February 7, 2014?