Danny Brown is one of hip hop’s comfortable outsiders. Atrocity Exhibition is the Detroit rapper’s fourth studio album. It is a bizarre ride through Brown’s mind that’s dark and raucous, but also adventurous and challenging. Continue reading
We’ve been here before: egoistical, millionaire rapper insults famous female he had a fling with in “gross misogynistic” song lyrics that have “sparked outrage”. But that’s why you’re reading this, isn’t it? Because hip hop’s ASAP Rocky* has called UK pop singer, Rita Ora, a “bitch”, and much worse, in a song from his newly released album, At Long Last ASAP.
Right now, you might be thinking: “big deal, hip hop artists do this all the time”. Or, perhaps: “ha ha ha, the bitch deserved it”. I’m no fan of Rita Ora, but, as well as being an unnecessary knock to the singer’s self-esteem, Rocky’s diss, in ‘Better Things’, adds fuel to the already-strong belief that hip hop is, and should be, solely about narcissism, hatred and misogyny.
Well, here’s the thing: hip hop’s got 99 problems, and “bitch” is just one. Continue reading
Tommy Boy / Warner Bros Records, 1991
The hip hop albums of the 90s were dense. Not just in length, but in concept and originality too. And De La Soul’s second album, De La Soul is Dead, is as about as dense a 90s hip hop record as you’ll find.
Opting to avoid record labels in favour of keeping more creative control over their music and relationship with their fans, the De La boys – Kelvin ‘Pos’ Mercer, David ‘Dave’ Jolicoeur and Vincent ‘Maseo’ Mason – recently turned to Kickstarter to crowdfund their comeback record (at long last). The funding round for their new album, And the Anonymous Nobody, ended today with a whopping $600,875 from 11,169 backers. So, for those that are less familiar with this pioneering hip hip trio, now’s the perfect time to look back at one of my favourite De La albums: De La Soul is Dead. Continue reading