Alicia Keys’ sixth album, Here, is an unexpected masterwork. Quite unlike her previous release, Girl on Fire, it is an album infused with rhythm, creativity and purpose not heard since her earliest albums. And it’s also one of this year’s must-hear releases.
For those who have been living without internet access for last three years, here’s a brief update on the state of the planet to put British rapper and spoken word artist Kate Tempest’s second album in context: the Earth is in a dire state. Rising divisions between rich and poor, and intolerance and miscommunication are everywhere. Meanwhile, the rise of big business continues, while the culture of the self quietly keeps the “modern revolution” – helpfully prophesised by voting-sceptic Russell Brand, among others – pacified.
Kate Tempest came to the attention of many in 2013 with her Mercury Prize-nominated debut album, Everybody Down, an effecting concept album that focused on a young couple, their troubled relationship and hard-bitten city living. With her second album, Let Them Eat Chaos, Tempest has built on her experiences to produce a powerful reflection of life in Britain today, from the high-stakes city workers to the down-and-outs living on the breadline.
Parlophone Records, 2005A gimmick. That’s what they put Gorillaz’ success down to. Despite everything that had been achieved by this unusual musical concoction in the 18 months since the launch of their 2001 debut album, detractors still labelled them a here today, gone tomorrow band. But little did they know that the virtual band, created by musician, Damon Albarn, and cartoonist, Jamie Hewlett, would front what would later be acknowledged as one of the most influential and progressive records of the noughties: Demon Days.
Atlantic Records, 1980
The first total solar eclipse in the UK since 1999 took place on Friday. A significant event, I’m sure you’ll agree. And this rare celestial event will now be even more significant in the history of music, for it marks the release of Chic’s ‘I’ll Be There’, the first single from Nile Rodgers and Bernard Edwards’s defining dance group for 23 years.
So what better time to (re)introduce you to, Real People, Chic’s fourth LP, an album of exceptional sonic grooves and lyrical quality that goes largely overlooked, thanks to changing music tastes at the tail end of the 1970s.