Jordan Rakei is an Australian singer and producer making soulful, dreamlike R&B. He released his Groove Curse EP in 2014, and contributed to Disclosure’s 2015 album, Caracal, with the track ‘Masterpiece’. His debut album, Cloak, is an innovative and modestly arresting creation that discerning listeners will appreciate.
Natasha Khan revels in the unusual and the antiquated. The Bride, her fourth full-length in her guise of Bat for Lashes, is a tale of macabre beauty and tragedy.
Japanese vibraphone player, Masayoshi Fujita, may not be using traditional Japanese instruments on his second studio album under his own name, but his music nonetheless feels connected to the culture and traditions of his home nation. Apologues is a porthole to the palace of the mind. An instrumental album of subtle grace that requests your presence, rather than demands it.
Patience is a virtue. But a mind fixated on passionate love-making rarely stops to consider anyone, or anything, else accept it’s beloved. That’s the emotion in Birthday Boy & Allie’s ‘I Can’t Wait’.
Björk is an artist who sees it as her duty to pour herself into projects, no matter what the medium or how outlandish they may appear. For her previous 2011 album, Biophilia, she participated in the creation of a series of interactive apps that formed part of a multimedia experience intended to enhance the album’s theme of musicology. In exposing her vulnerable core in a Vulnicura, she has been just as meticulous and self-critical, as evidenced by the fact that she sat on demos of these songs for some two years before deciding it was the right time to shape them into an album.